In a British context, and with significant exceptions, WWI still focuses largely on the white British armed forces active on the Western Front. While it is possible to subject the events of 1914-18 to disinterested and objective historical inquiry, the commemorative landscapes and rituals created after 1918, and reaffirmed each year in the UK and on the Western Front, tend to prevent a broader understanding of WWI as a global conflict that has continuing relevance for all communities in an increasingly cosmopolitan British society. This includes those for whom the Western Front, and the conventional British narratives associated with it, have limited significance. Many Indians fought on the Western Front, but people from different parts of the former Austro-Hungarian Empire, including Ukraine, Russia, and Poland are likely to focus more strongly on the fallout from the collapse of the Russian Empire 1917-22, and the subsequent emergence of new nations in central and eastern Europe after 1918. People of the Balkan states may be more interested in the post-1912 wars which essentially led to Yugoslavia, the fall of the Habsburg monarchy and the emergence of a stronger Greece. Turkey's participation in WWI led to the destruction of the Ottoman Sultanate and the creation of the modern Republic of Turkey. The Irish have yet a further perspective on these years. The centrality of WWI to British identity has been reaffirmed by the UK government's ambitious £60 million programme to mark the centenary in 2014-18. The explicit objective is to remind the next generation 'that the First World War is not ancient history but a shared history that unites our country'. What of the many communities which have settled in Britain during the 20th century? Are they (intentionally or unintentionally) excluded? Some families have lived in Britain for several generations but do not necessarily feel any sense of engagement with previous commemorative events. The proposed Centre aims to identify and facilitate imaginative democratic community action and engagement around the memories and narratives of the period 1914-18 within the diverse communities which make up contemporary British Society. Initially the Centre will take advantage of its location and work with three, large cosmopolitan cities in the English East Midlands region: Nottingham, Leicester and Derby. These three cities have distinctive but comparable industrial heritages, and through the 20th Century experienced sustained immigration from all parts of Europe, the Commonwealth and elsewhere. From this foundation, and utilizing community networks, we aim to expand our community partnerships to achieve a national reach. The Centre will be led by a cross-disciplinary network of academics from across the Arts and Humanities, the Social Sciences and the Information Technologies. The University of Nottingham and its partners in the Centre have a strong track record of working with community groups and our key mechanisms of engagement will include a comprehensive programme of community-focused events (themed roadshows, research surgeries, talks and training) co-ordinated by an experienced Community Liaison officer. Access to research expertise will be facilitated by two funding schemes: (i) a Community Challenge Fund to support community groups to gain access to training, facilities and expertise to assist the development of community-led programmes and support the development of bids to the Heritage Lottery Fund (HLF) schemes; and (ii) a Research Development Fund, aimed at extending the potential of a community-led HLF project or funding follow-up activities to further develop a completed HLF project. Mechanisms of engagement through events, and the funding schemes, will encourage fresh approaches to collaborations through the involvement of community theatre practitioners, community film makers and the novel use of technology through the UoN's digital research centres (e.g. Horizon).

Spatial Practices in Art and ArChitecture for Empathetic EXchange (SPACEX) is a transdisciplinary research action that utilises secondments between academic institutions and third sector organisations in order to scope and map European spatial practices. It provides a body of findings that can be easily accessed by commissioning agencies, policy makers and publics through its open source web-site (spacex-rise.eu). SPACEX aims to test, map, analyse, communicate and maximise the ways in which spatial practices in art, architecture and design instigate public exchange and promote empathetic ways of living together in urban space. It responds to the troubling rise of populist nationalism and conflict in European societies by engaging new publics and forging a culture that embraces diversity, difference, and discursive exchange within cities, towns and urban sites. The lack of interdisciplinary knowledge by those working in the cultural sector has significantly affected the way in which the social benefit of cultural activities is understood, articulated and applied. SPACEX proposes that inventing new and inclusive ways of living together, requires the implementation of new transdisciplinary and cross-sectoral practices and methods, that connect spatial practice with cultural sociology, cultural policy, critical pedagogies and behavioural economics. The comprehensive transdisciplinary composition of the SPACEX consortium- 27 partners in 9 EU countries and 1 TC, Palestine – will enable its ERs and ESRs to undertake secondments in a range of world-renowned academic institutions, research institutes, arts organisations, biennials, urban agencies, a film festival and a creative media agency.