The European Holocaust Research Infrastructure (EHRI) project seeks to transform archival research on the Holocaust. The vision of EHRI is to integrate the data, services and expertise of existing Holocaust infrastructures on an unprecedented scale. It will allow researchers from across the globe transnational and virtual access to the integrated infrastructure, and provide them with innovative digital tools and methods to (collaboratively) explore and analyse Holocaust sources. EHRI will thereby become an indispensable tool for the study of the Holocaust from a pan-European perspective. EHRI is based on an advanced community that has already achieved a significant co-ordination of its efforts, not least thanks to the activities undertaken during EHRI's first phase. The aim of the second phase is to further expand this community. The EHRI consortium includes 22 partners, spread across Europe and beyond. This consortium, as well as a network of regional contact points, enables EHRI to reach those regions where much valuable Holocaust source material is located, but where access has hitherto been problematic, especially in South-Eastern and Eastern Europe. EHRI includes measures to build capacity in such regions, thereby ensuring that institutions and people across Europe can contribute to, and make use of, the EHRI infrastructure. EHRI will continue to serve as a 'best practice' model for other humanities projects, and its innovative approach to data integration, management and retrieval will have impact in the wider cultural and IT industries. Although EHRI is geared towards scholarly communities, open online availability of reliable Holocaust material is important for the larger public, as the Holocaust is deeply rooted in the development of European societies. European support for the study of this most traumatic historical event is essential to achieve a comprehensive approach to the history of the Holocaust as a shared European phenomenon.

The manifold catastrophes of the 20th century have torn holes in the cultural fabric of Europe. This project's overarching objective is to re-knit certain threads across those gaps by bringing recently rediscovered musical, theatrical and literary works by Jewish artists back to the attention of scholars and the public. Scholarly outputs will include monographs, journal articles and critical editions, and the project will have wider impact through an interactive web resource, educational projects, and performances at five international cultural festivals. Our scholarly work and artistic practice will engage with three types of 'Jewish archives': a) the works themselves, often providing information on the complexities of the context in which they were created; b) traditional archival documentation; c) ethnographic archives (oral history and testimony) providing historical information and illuminating the meaning of events for past and present generations. Rather than privileging any type of archive as 'text' and others as 'context,' we consider all three as co-texts mutually illuminating each other. All are equally valuable aspects of our investigation. Some of these archives are at risk, giving our work special urgency. While new archives open or are discovered in some parts of the world, the fragile memories of elderly survivors are fast disappearing, and family archives are disposed of or deteriorate. Working alongside partner organisations (performers, educators, museums, libraries, archives and policy-makers) in the UK, US, Central Europe, South Africa and Australia, we will follow existing leads to seek out new archives, and help preserve those that have recently come to light. Our multi-disciplinary team brings research expertise allowing us to focus on the period c.1880-c.1950, the most intense period of Jewish displacement in the modern era. Our case studies include recently recovered theatrical manuscripts from the Terezin Ghetto near Prague, musical works from Eastern Europe uncovered in private collections in Australia, South Africa and England, and literary accounts of survivor experiences written immediately after the Holocaust. Via these case studies of Jewish artistic creation in diverse situations of internment, exile or migration, we will illuminate more broadly the role of art in one of the paradigmatic experiences of the modern age: displacement. When do artists use creative works to represent the rupture of displacement, and when do music, theatre and literature create continuity with their former lives, or a bridge between the old life and the new? Our co-textual performances create a relationship between past and present, not only by drawing upon on all three types of archives (for example, by interspersing scenes from a rediscovered play with narrated survivor testimony against a backdrop of projected archival images), but by engaging explicitly with the multiple possible meanings of these artefacts from the past, both for their original audiences and ourselves. The performances foreground ways in which that past may live on in our present and future - in a very real sense, 'thinking forward through the past'. Audience response testing, developed during the project, will help us determine how successful we are in generating audience engagement in the present. We will attract audiences from widely diverse constituencies by featuring world-leading practitioners such as the Nash Ensemble alongside amateur and student performers, and by staging performances in historically significant venues such as the Terezin Memorial (the site of the former WWII Jewish Ghetto) and Clifford's Tower in York (the site of a 12th-century pogrom). We will perpetuate engagement with these archives by encouraging arts practitioners, policy-makers and cultural event programmers to engage with them, and through educational projects in which participants create their own performances based on archival co-texts.

The European Holocaust Research Infrastructure’s (EHRI) mission is to overcome widespread dispersal of Holocaust sources. EHRI is an advanced community comprising 23 partners from 17 countries across Europe, Israel and the United States. It is an inter-disciplinary community spanning Holocaust research, archival sciences and the digital humanities. In two previous Integrating Activities, EHRI has integrated an unprecedented amount of information about dispersed Holocaust sources in an online Portal, developed tools to contextualise, analyse and interpret such sources, and set new impulses with regard to inter-disciplinary and trans-national research. EHRI’s past achievements have been recognised, not least by European Strategy Forum on Research Infrastructures (ESFRI) who adopted EHRI on its 2018 Roadmap. The aim of the EHRI-3 project is to move decisively beyond the achieved state-of-the-art. In particular, while EHRI has already integrated the holdings of the major Holocaust RIs, much valuable source material that is held by small local and micro-archives is currently inaccessible to the research communities. EHRI-3 will develop protocols and tools that allow the open up of hidden sources for Holocaust research. EHRI-3 will further enable new trans-national approaches to the study of the Holocaust by developing innovative layers across dispersed sources that connect thematically related, but physically dispersed, collections. It will greatly enhance its access provisions, and integrate new communities – local research and archive networks, universities, researchers working in closely related fields – into its network. Although EHRI is geared towards scholarly communities, the Holocaust is deeply rooted in the development of European societies. EHRI-3 will continue to be a showcase of how a humanities RI can inform societal discourse in areas such as antisemitism, xenophobia, non-discrimination and religious and cultural tolerance.